good morning, cyberspace!
A long, long time ago, I saw something floating around the blogosphere in which bloggers were spilling all their dirty secrets and revealing common themes found within their manuscripts. I wish with all my heart that I could find those original posts again, but for the life of me I’m unable to track any of them down. (although I DO believe that Christine Smith did one of them?? I just??? cannot seem to find it????? *much confusion*) I think it was started as an original blog concept and then turned into a sort-of-tag, but to be perfectly frank with you all, I honestly have no clue what the origins of said posts were. I just know that it looked like fun, and when I had the idea for this post a few weeks ago, I realized that I’d seen it somewhere before. That, unfortunately, was as far as my brain would take me, for I’ve since been unable to find someone to credit the idea with.
But I digress. If you remember seeing these posts–or even have links to said posts–please feel free to shoot them at me so I can properly credit whoever came up with this concept! For the time being, however, I guess we’re moving on. XD
I’ve been in the writing industry for *quickly counts on fingertips* 10 years now. Ish. My first novel was completed at the tender age of 12, and many, many scribblings had been scribbled and typed before that. During all this time, it would make sense that I’d start to notice patterns within my manuscripts–certain little similarities which make me pause and think, “huh… sure seems like I’ve seen that before…” before prattling on aimlessly as I always do. And I would absolutely be lying if I said I haven’t–on more than one occasion–realized I’d used a particular plot thread or theme or character archetype in a previous book before inserting it yet again into my newest WIP.
I can’t help it, folks. There are just certain things that make my heart squish with all the writerly feels, and I’ll be darned if I don’t continuously find ways to incorporate them into my stories.
So today, I figured I’d make a list of just a few of these common threads in order to bring you all an inexhaustive list of what it takes to write a Kenzie Keene Original!
Because who doesn’t want to emulate my writing style? That’s what I’d like to know.
UPDATE!: As I’d hoped, some of my lovely friends found where this thing originated! Supposedly it started as a twitter tag (which???? HOW DID I MISS THE TWITTER TAG. That sounds so fun??), #HowYouKnowIWroteIt, and was eventually brought over to the blogs!! Thank you SO much to Jenelle and Christine for finding this, and you can read both of THEIR blog posts of a similar nature by clicking on their names!!! (you guys are the best and I love you so dearly)
YOU MIGHT BE READING A KENZIE KEENE BOOK IF…
- there’s death and/or mutilation within the first 3 chapters
Or, in the case of everlost, within the first chapter. Because clearly this sets a tone that readers will find comforting and acceptable and will 100% not scare them off at all.
- one of the main characters is a young child (typically a girl) with a penchant for
Adaline, Annalora, Shelby…
From my three main novels come three young girls who will 10/10 destroy an entire city block in order to protect those they love. Or, in Annalora’s case (The Girl and The Goblin King, for those wondering where this particular child hails from) an entire universe.
Aha… This story is a fun one to write, guys.
- the main character–or one of–is male. and also severely snarky and/or clueless
I have so many of these, guys. XD In fact, I don’t think it would be a Kenzie book at this point if it didn’t include an entirely clueless, snarky, and potentially unreliable male narrator. Probably the most well-known of these is Thao from everlost, but I also have Ed and Fitz (Project Sunset), Todd (The Girl and The Goblin King), Peter (everlost again), and Finnigan (N/A).
- there are multiple points-of-view
Sometimes–very infrequently, but sometimes–people ask me how I write such large books. “Why are your novels hundreds of thousands of words long, Kenzie?” they ask, their eyes round and innocent and completely oblivious to the true horror of watching your manuscript grow to the size of a small rhinoceros. And every time I sort of flail awkwardly, not truly knowing how to answer. But I think I’ve finally hit on the reason for it all, and that, my friends, is the above bullet point.
I have too many POV’s per book. everlost, which is 150k+ words, had four unique POV’s, and within each one I tried to create a personal character arc and storyline. It was a beautiful chaotic mess, and I have since come to the conclusion that in future stories–to rid myself of horrifying word counts–to cut points-of-view down to two at the most. Maybe three if I’m feeling particularly auspicious.
Project Sunset had two POV’s, and the first draft of that novel came out at around 120k–still large, but far more acceptable. The Girl and The Goblin King has exactly one, and I’m shooting for a goal of 90,000 words.
Actually, speaking of large word counts…
- it has 150k+ words
*points dejectedly towards above checkpoint*
- there’s light romance (read: none)
I’m not huge on writing romance (which is strange, coming from a hopeless romantic, but I digress). I understand that this is something that makes the publishing industry–and even the movie industry–go round and round and round, but to be honest, I find it far more fun to write other things. Things like goblins and fairies and
death shadowy creatures with big teeth. I prefer to focus on the adventure aspect of story, and if I have any romance whatsoever, it typically comes in the form of–
- a random Scottish man is pining after a prim Englishwoman
Most people are probably like ????? right about now. After all, this seems like a very specific thing to write into one’s stories. But after two stories organically producing characters built upon this precise metric, I feel like it’s a little too coincidental not to note it down.
And also can someone please help me figure out where all the Scotts are coming from, because they’re getting a wee bit out of hand and I’m frightened.
- the mentor dies
I’m sure this is less a “Kenzie thing”, and more a “fantasy genre” thing, but I still feel it’s worth noting. Mentors die. No one likes it. No one looks forward to it (unless it’s a really idiotic mentor, which … that’s a whole thing in and of itself). But it happens and it’s there and it’s a wonderful motivator for the final act of a story. And so, to become the cliche I’ve always been destined to become, I tend to milk this particular trope for all it’s worth.
You just can’t dodge the facts, friends.
- found family/fierce friendships
I’m a sucker for a good found family, okay? There’s just something so wholesome and pure about a group of complete strangers coming together and saving the world and–GASP–learning to love each other like the weird little family that they are.
everlost, Project Sunset, and The Girl and The Goblin King all use this particular thread (albeit differently) and I’m not sorry about it in the SLIGHTEST. It’s one of my favorites, and it will continue to be one of my favorites until the day that I stop obsessing over Jim Moriarty.
(i.e. this will never happen #yeet)
Yeah…. Unashamedly, I tend to write some stellar bromances into my novels. Peter and Thao, Ed and Fitz, Sam and Eugene… Fierce bro friendships make me uncannily happy, guys. I cannot explain it. XD
- fairytale elements & retellings
I feel like I’ve said it before, and I will continue to say it until the day I die: I adore fairytales and fairytale retellings. I simply cannot get enough of them! And, more specifically, I love writing fairytales and fairytale retellings.
I’ve often said that The Girl and The Goblin King is a fairytale of my own making, and *cough cough* I may or may not have written a secret fairytale retelling in the past. Fairytales are something I’m just so passionate about: the magic, the whimsy, the forests filled with secrets and twinkly twilight atmosphere. Whimsical stories will always have my heart, and I’d be extremely disappointed in myself if someday I discovered that I didn’t love them as deeply as I do now.
- villains you love to hate
This one’s a wee bit newer. (for anyone who’s read everlost, you will probably know I struggled a wee bit with the antagonist) But within my more recent manuscripts, I feel as though I’ve locked in on my own particular brand of villain.
I’m especially excited for the villain of The Girl and The Goblin King. I technically haven’t even written him yet, but–with any luck–that will soon change. And I am SO. EXCITED. to finally get to meet this guy! He’s so creepy and weird and charming and 10/10 will murder your uncle for a piece of chocolate cake.
- themes of brokenness, forgiveness, and redemption
And last but not least, we have reached our final point for what it takes to write a Kenzie book!
I think, more often than not, writers often infuse their stories with the themes they’ve experienced personally. As for me, I’ve had many instances in which I’ve dealt with the three themes above, and I think it shows in the stories I create. I love writing about how broken things can still shine–how their brokenness can actually make them shine brighter. I love themes of forgiveness, of finding yourself after you thought you were broken beyond repair and would never return to the you that you were Before. I love redemption arcs.
I love stories which show the cracks of human nature and the all-encompassing forgiveness of God.
And I think, in the end, that’s why I write these books. Because I’ve experienced the failure, the collapse, the darkness which grows in your heart when you feel the furthest from grace that you’ve ever felt. And I’ve felt the release, the understanding that there is Hope in a world which is nothing but darkness and shadow. I’ve been broken and forgiven. I’ve fallen and have been helped up. And it’s a beautiful wonderful magical thing–something I want to share with everyone who reads my words.
And while I understand that you can’t write the same theme into every story, I also know that there’s hardly a day that goes by in which God doesn’t show me His grace through even the smallest of things. And if He can continue to find new ways to show me His love, why can’t I do the same in my novels?
talk to me, peasants!
Let’s talk common themes! What sorts of things do you find reoccurring within your stories? Are you a writer who tends to write the same–or similar–themes into your novels, or do you prefer a fresh start with each and every WIP? Are you a fan of Found Family? Bromance? CHARMING VILLAINS??? As always, let’s talk about ALL OF THE THINGS! down in the comments below! And until next time…
*flings cookies in the air and disappears*